Film: Kalavaramaye Madilo
Rating: 2/5
Cast: Kamal Kamaraju, Colors Swathy, Vikram Gokhle, Tanikella Bharani, Delhi Rajeshwari etc
Music: Sarath Vasudevan
Camera: Rajendra
Dialogues: Lakshmi Bhopal
Lyrics: Vanamali
Editing: Basva Paidireddy
Choreography: Nikson and Sridhar
Art: Madhu Rebba
Pro: Lagadapati Babu Rao
Producer: Mohan Vadlapatla
Story-Screenplay-Direction: Satish Kasetty
Released On: 17th July 2009
Colors Swathy has got good salable value after the film ‘Asta Chemma’ and that has carried expectations on the movie ‘Kalavaramaye Madilo’. And that is the only factor that hooked the audiences to look at this film. Let us see how far the expectations are reached.
Story:
Sreya (Swathy) lives with her mother (Delhi Rajeshwari) and works in an Audit Office. But she loves singing and hence gets into earning by joining as a stage singer in a Star Hotel. She also holds a dream of singing in the composition of AR Rehman.
Sastry (Tanikella Bharani) makes ways to find a concert for his friend who is a classical singer Rao (Vikram Gokhale). They happen to come to that Star Hotel in search of a chance at the same place and listen to Sreya’s performance. Rao shouts on her quoting the standards of music. Sreya takes that as a challenge and goes to the same Rao to learn music.
Srinu (Kamal Kamarj) a London returned guy happens to be the pair for Sreya.
What happens later and how Sreya fulfils her dreams form rest of the story.
Performances:
Colors Swathy:
She is the only pulling factor for this film. She did her best in justifying the role. Fun, humor and energy were given by her in first half. But the second half demanded pathos part in her and hence audiences get to see a new Swathy with tears.
Kamal Kamaraju:
It is good that he improved muscles and looking macho. At the same time he needs to improve a lot in the matters of action and dialogue delivery. His guitar scene is very eccentric and such hysterical scenes should be done only when they are necessary.
Vikram Gokhale:
He is very new to Telugu screen. Audiences can connect to him only when he can deliver all sorts of histrionics required for silver screen. But he didn’t. He underplayed a lot in that passive patient role leaving no sense for his presence in the movie. He is known as very good stage artiste in Maharashtra but he proved not the only choice for the role. And the dubbing voice of renowned SP Balasubrahmanyam given to him is another flaw.
Others:
Tanikella Bharani did his best. He recalls the role of Sarath Babu in Sagarasangamam for some time and that of Allu Ramalingiah in Sankarabharanam for other time.
Delhi Rajeshwari is ok in her role but appeared weaker than before.
Pragathi (hero’s mother) missed timing in delivering dialogues as well as expressions. This can be considered as one of her poor performances in recent time.
Technical Departments:
There is nothing great or less to mention about any technical department and everything went in run of the mill state. Dialogues are good and sensible to large extent but the problem arrived with screenplay. The wellness of dialogues got smoked by lengthy indoctrinating scenes where not required, especially in second half.
Music and Lyrics:
Sarath Vasudevan’s music is mediocre. He needs to improve in orchestration part. Vanamali’s lyrics are good especially in two numbers- ‘Tholi Asalenno’ and ‘Pallavinchina…’.
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