It is…
A remake of the 2009 Tamil feature ‘Vennila Kabadi Kuzhu’ and a descent
remake at that.
Plot…
The film follows a very
traditional sports film screenplay pattern if one is to consider the main theme – Kabbadi. An underdog team
going through of series of events and finally succeeding at a major
sports event. And as sub plots we have Suri’s (played by Nani) tale of
rural poverty and his couple of girl romances.
What’s good?
The way the film tried to capture the innocence and fun of the village
ambiance (the humor in the first installment in particular) was almost a
success, if only the editing and the writing were a little more
polished.
Hiding one of the lead female characters through out the second half and
never revealing her name was quite a bold move and did pay off.
What could have been better..
Most of the scenes started off seeming new and entertaining and if these
scenes hadn’t been prolonged the way they were, it would have been a
total fun blast.
The end of the film seemed like a writing block rather than what the
film needed.
The Actors.
Hardly any complaints about Nani and the valid looking female leads.
However, the real characters to look forward to are the members of the
Kabbadi team. They’ve accounted for all the highly enjoyable episodes
and are the people who make this otherwise mediocre film better than
that.
And Souda Muthu playing the coach with his baritone and the lanky
muscularity was a great addition to the cast.
Verdict.
Funny. Not so quick. Not too slow either. Could have been much
better, but, lets not get too fussy about it. Forgive the lack of polish
on the screenplay and enjoy the humor.
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YAMUDU movie review
Movie : Yamudu
Rating : 3/5
Banner : BIG Pictures
Cast : Suriya, Anushka, Prakash Raj, Vivek, Manoramma, Vijayakumar, Radha Ravi, Nasser, Sumithra, Yuvarani, Nizhagal Ravi and Others
Music : Devi Sri Prasad
Cinematography : Priyan
Producer: K E Gnanavel Raja
Director: Hari
Released Date: July 2, 2010
Yamudu Movie Review
Story :
Narasimha (surya)plays a role of a Sub-Inspector at Rajolu located in East Godavari. He is a good and dedictaed police officer who settles downs his family feuds in the village and with due respect and punishes cops with powerful fights. He is predominantly a guy who loves his family. Purushottam, is a real estate goonda in Vishakapatnam, who earns money by extortion, and unknown to the world, through his kidnapping activities. With a twist of misdeeds to his name, Purushottam is forced to go to Rajolu, where his attitude makes him collide with the straightforward cop. As Surya rises in cadre, their enmity grows into a full blown war between the two. How it happens and how it ends is the story of ‘Yamudu’, and of course there is a love story between Narasimha and Kavya (Anushka)!
Positive Points :
The movies completely showcases Surya who excels as Narasimha. From the beginning to the end, the script, the dialogues, the song and dances, the fights are tailor made for him to just come and perform.
Prakash Raj performed well in another role as the villain. He too, like the hero of the film is given equal mileage and elevates Surya’s character!
Anushka as the love interest and female lead for Surya does good job. Her acting skills are pretty evident, and she has more than just songs and dance sequences.
Though the film is a completely straight narration, the way each separate thread comes and merges to the climax is an interesting way of dealing with a screenplay. And yes there are few scenes that evoke good laughter. The shift from rural atmosphere to the urban, and the clever leads to the climax are the highpoints of ‘Yamudu’.
Negative Points:
Like most Tamil movies, this flick too is a bit too loud for our comfort. It drags long because of atleast one or two unnecessary fights, too many unnecessary comedy situations and atleast one song! The parts done by people like Nazar, Nilalgal Ravi, Manorama etc. could have easily been done by anyone else. The way the stuntmen keep flying off or falling on furniture, one wonders how much percentage of the film ’s budget was catered in shooting them! What really works against ‘Yamudu’ is that its good parts are just good and the bad parts are really bad and predictable!
Technical performances :
Devi is a master in using percussion instruments, and he uses them to get the mass beat going. Songs are shot well and sing-able too! Fights are good, and the wire removal team should be appreciated for their touch ups. V.T.Vijayan’s editing is fast and complements the pace of the movie. The angles used to capture Surya’s histrionics are outstanding, as they keep elevating him each time as the hero of the film. Priyan’s cinematography in fighting scenes is worth watching too.
Conclusion : As mentioned earlier Surya is a wonderful actor. Film Maker Hari should be lauded for keeping his target audience in mind all the time, and catering to them almost in every scene. Taking the movie from rural set up to urban set up and then finishing it off on a completely different climax is the basic outline of the setting of the film . It’s a thorough action entertainer and no wonder this movie is a huge hit in Tamil Nadu. However, Telugu people are used to high quality comedy and it is this part and few predictable situations that bores us in ‘Yamudu’. Watch it for Surya, or if you love some thumping action sequences.
Telugucinemachance.com Verdict : Good Action Entertainer ! Watch it For surya
Banner : BIG Pictures
Cast : Suriya, Anushka, Prakash Raj, Vivek, Manoramma, Vijayakumar, Radha Ravi, Nasser, Sumithra, Yuvarani, Nizhagal Ravi and Others
Music : Devi Sri Prasad
Cinematography : Priyan
Producer: K E Gnanavel Raja
Director: Hari
Released Date: July 2, 2010
Yamudu Movie Review
Story :
Narasimha (surya)plays a role of a Sub-Inspector at Rajolu located in East Godavari. He is a good and dedictaed police officer who settles downs his family feuds in the village and with due respect and punishes cops with powerful fights. He is predominantly a guy who loves his family. Purushottam, is a real estate goonda in Vishakapatnam, who earns money by extortion, and unknown to the world, through his kidnapping activities. With a twist of misdeeds to his name, Purushottam is forced to go to Rajolu, where his attitude makes him collide with the straightforward cop. As Surya rises in cadre, their enmity grows into a full blown war between the two. How it happens and how it ends is the story of ‘Yamudu’, and of course there is a love story between Narasimha and Kavya (Anushka)!
Positive Points :
The movies completely showcases Surya who excels as Narasimha. From the beginning to the end, the script, the dialogues, the song and dances, the fights are tailor made for him to just come and perform.
Prakash Raj performed well in another role as the villain. He too, like the hero of the film is given equal mileage and elevates Surya’s character!
Anushka as the love interest and female lead for Surya does good job. Her acting skills are pretty evident, and she has more than just songs and dance sequences.
Though the film is a completely straight narration, the way each separate thread comes and merges to the climax is an interesting way of dealing with a screenplay. And yes there are few scenes that evoke good laughter. The shift from rural atmosphere to the urban, and the clever leads to the climax are the highpoints of ‘Yamudu’.
Negative Points:
Like most Tamil movies, this flick too is a bit too loud for our comfort. It drags long because of atleast one or two unnecessary fights, too many unnecessary comedy situations and atleast one song! The parts done by people like Nazar, Nilalgal Ravi, Manorama etc. could have easily been done by anyone else. The way the stuntmen keep flying off or falling on furniture, one wonders how much percentage of the film ’s budget was catered in shooting them! What really works against ‘Yamudu’ is that its good parts are just good and the bad parts are really bad and predictable!
Technical performances :
Devi is a master in using percussion instruments, and he uses them to get the mass beat going. Songs are shot well and sing-able too! Fights are good, and the wire removal team should be appreciated for their touch ups. V.T.Vijayan’s editing is fast and complements the pace of the movie. The angles used to capture Surya’s histrionics are outstanding, as they keep elevating him each time as the hero of the film. Priyan’s cinematography in fighting scenes is worth watching too.
Conclusion : As mentioned earlier Surya is a wonderful actor. Film Maker Hari should be lauded for keeping his target audience in mind all the time, and catering to them almost in every scene. Taking the movie from rural set up to urban set up and then finishing it off on a completely different climax is the basic outline of the setting of the film . It’s a thorough action entertainer and no wonder this movie is a huge hit in Tamil Nadu. However, Telugu people are used to high quality comedy and it is this part and few predictable situations that bores us in ‘Yamudu’. Watch it for Surya, or if you love some thumping action sequences.
Telugucinemachance.com Verdict : Good Action Entertainer ! Watch it For surya
Jhummandi Naadam movie review
Film: Jhummandi Naadam
Cast: Manchu Manoj, Tapsee, Mohan Babu, Tanikella Bharani, Sudha, Suman, Pragathi, Brahmanandam, M S Narayana, Raghubabu and others
Story: Bhupathi Raja
Music: M M Keeravani
Dialogues: Rajasimha
Cinematography: S Gopal Reddy
Screenplay: BVS Ravi, Gopimohan
Produced by: Lakshmi Prasanna
Release Date: July 1, 2010
CBFC Rating: U
What’s it about!
Balu (Manoj), an aspiring singer in Bhadrachalam, comes to Hyderabad to test luck in music field. Sravya (Tapsee) comes down to Hyderabad from USA and tries her luck in the same way too. They fall in love. She stays in Hyderabad at Captain Rao (Mohan Babu) and he tries to separate them. The rest of the film is all about Balu winning singing competition and his love.
Analysis
Veteran director K Raghavendra Rao redefined the way commercial movies are made in Telugu with Adavi Ramudu (1976). Since then he became synonymous for commercial masala films although he made some memorable classics in between. But again, like many other yesteryears directors, he has lost his Midas-touch and has been making films with his old school of thought. Jhummandi Naadam is no exception. It stills smells of old wine despite the filmmaker’s attempt to put in new cans of reels. With a predictable story provided by Bhupathi Raja and cut-paste scenes of several hit movies, the screenplay and narration style lacks any freshness to suit the current audiences. Raghavendra Rao in usual manner completely focuses on songs (which are undoubtedly good, thanks to Keeravan’s melodious score) and exposing of heroine.
The so-called conflict between Manoj and Mohan Babu, the comedy scenes also lack the punch.
Performances
Manchu Manoj always exudes high energy and he shines in this film too although his characterization is not that pretty novel. He even excels in scenes involving his father veteran actor Mohan Babu. But he needs to show off consistency in portraying the role till the end. On his part, Mohan Babu does underplay to make his son to steal the show. Tapsee, the new girl, has shown all her vital assets to please the audiences but doesn’t have any material to become a fine actress. The less said about her facial expressions and acting abilities the better. All other actors - Tanikella, Sudha, Suman, Pragathi, and host of other comedians, have done okay job. Ahuthi Prasad does villain role.
The film completely belongs to M M Keeravani. Probably after Magadheera, he has given a musical score that became an asset to the movie. Although his songs are not completely novel, they are mellifluous to the ears and Raghavendra Rao, the master of picturisation of songs, evocatively films them to please our eyes. Senior cameraman S Gopal Reddy’s visuals are also appealing. Veteran director Raghavendra Rao should come out from his old school of thought – trying to manage the film with some good – to stand in today’s race.
Bottom-line!
Jhummandi Naadam has nothing new to offer except some mellifluous numbers and eye-catching ‘glamour’ here and there. It is predictable stuff and old wine in old bottle.
Rating: 2.5/5
Cast: Manchu Manoj, Tapsee, Mohan Babu, Tanikella Bharani, Sudha, Suman, Pragathi, Brahmanandam, M S Narayana, Raghubabu and others
Story: Bhupathi Raja
Music: M M Keeravani
Dialogues: Rajasimha
Cinematography: S Gopal Reddy
Screenplay: BVS Ravi, Gopimohan
Produced by: Lakshmi Prasanna
Release Date: July 1, 2010
CBFC Rating: U
What’s it about!
Balu (Manoj), an aspiring singer in Bhadrachalam, comes to Hyderabad to test luck in music field. Sravya (Tapsee) comes down to Hyderabad from USA and tries her luck in the same way too. They fall in love. She stays in Hyderabad at Captain Rao (Mohan Babu) and he tries to separate them. The rest of the film is all about Balu winning singing competition and his love.
Analysis
Veteran director K Raghavendra Rao redefined the way commercial movies are made in Telugu with Adavi Ramudu (1976). Since then he became synonymous for commercial masala films although he made some memorable classics in between. But again, like many other yesteryears directors, he has lost his Midas-touch and has been making films with his old school of thought. Jhummandi Naadam is no exception. It stills smells of old wine despite the filmmaker’s attempt to put in new cans of reels. With a predictable story provided by Bhupathi Raja and cut-paste scenes of several hit movies, the screenplay and narration style lacks any freshness to suit the current audiences. Raghavendra Rao in usual manner completely focuses on songs (which are undoubtedly good, thanks to Keeravan’s melodious score) and exposing of heroine.
The so-called conflict between Manoj and Mohan Babu, the comedy scenes also lack the punch.
Performances
Manchu Manoj always exudes high energy and he shines in this film too although his characterization is not that pretty novel. He even excels in scenes involving his father veteran actor Mohan Babu. But he needs to show off consistency in portraying the role till the end. On his part, Mohan Babu does underplay to make his son to steal the show. Tapsee, the new girl, has shown all her vital assets to please the audiences but doesn’t have any material to become a fine actress. The less said about her facial expressions and acting abilities the better. All other actors - Tanikella, Sudha, Suman, Pragathi, and host of other comedians, have done okay job. Ahuthi Prasad does villain role.
The film completely belongs to M M Keeravani. Probably after Magadheera, he has given a musical score that became an asset to the movie. Although his songs are not completely novel, they are mellifluous to the ears and Raghavendra Rao, the master of picturisation of songs, evocatively films them to please our eyes. Senior cameraman S Gopal Reddy’s visuals are also appealing. Veteran director Raghavendra Rao should come out from his old school of thought – trying to manage the film with some good – to stand in today’s race.
Bottom-line!
Jhummandi Naadam has nothing new to offer except some mellifluous numbers and eye-catching ‘glamour’ here and there. It is predictable stuff and old wine in old bottle.
Rating: 2.5/5
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Jhummandi Naadam
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